Corine Van Voorbergen

Intro:

Corine, what inspired you to venture into art, specifically your signature minimalistic round art forms? How did these inspirations lead you to focus on the concept of eternal movement?

“I believe that creativity is not something you can learn but something you’re born with. In other words, when you stay true to yourself and do what makes your heart beat faster, you take that leap. This also applies to the circular shape, which symbolizes to me who I am: someone who is always in motion, femininity, infinity, completeness. The serene movement was a natural and organic form that emerged during my journey.”

Can you shed some light on your collaboration with Mondrian? How did it begin, and in what ways did it influence or align with your artistic vision?

The collaboration with Mondrian was established through Kim Shaylor of Gone Rogue Art. She was able to see the connection between my existing work ‘Ash’ and Mondrian’s character at a glance. The work truly finds its home there, as if it was made for it.

The layering technique you employ in your art, culminating in a thin layer of epoxy, is truly captivating. How did you develop this unique process, and what challenges have you encountered along the way?

Epoxy is a beautiful material with many possibilities. You can mix it with various types of pigments and materials to achieve different effects. The material itself has inspired me along the way as I constantly experiment. By working with multiple layers, the artwork gains extra depth, allowing for an even more compelling narrative. I am someone who is very perfectionistic and always seeks improvement. Besides being versatile, epoxy is also a highly technical material that is very sensitive to factors like temperature, dust, and humidity. It truly takes time to learn how to work with it effectively.

Your current series, “Through the Brass Eye of the Beholder,” evokes deep emotions through its color and depth. Can you talk about the conceptualization of this series and how you hope viewers will connect with it?

I have a variety of different concepts within this collection, each with its own source of inspiration and story. But, in addition to my own narrative, I also find it fascinating to hear someone’s interpretation of the artwork and what emotions it evokes. By working with materials like glass and epoxy, and as previously described, creating depth and shine through layering, there is also a reflective aspect. This reflection brings the viewer back to themselves through their own reflection in the artwork, creating a unique connection between the viewer and the piece.

You’ve mentioned that “Art and Interior Design should compliment each other”. How do you seamlessly merge these two fields, especially during global events? Do you have a specific methodology or philosophy when introducing your artwork in interior design settings?

For me, it’s important that when my work is displayed somewhere, it has the space to be viewed thoroughly, and people can walk around it. However, the color on the walls or a beautiful piece of designer furniture, for example, can enhance the artwork even more. It also sparks people’s imagination about how it could fit in their own homes. By collaborating with the right partners, such as designers or design studios, it’s possible to create a beautiful presentation worldwide, where everything is in harmony with each other.

Looking ahead, are there specific themes or techniques you’re eager to explore in your future works? How do you envision the evolution of your art in the coming years?

Sustainability is always a theme that concerns me, and I want to incorporate it more into my concepts. In addition, I aim to broaden my horizons in terms of materials and focus on creating more monumental and sculptural pieces. I’m also interested in exploring the use of light and sound, so a combination of these forms might be in the works. 😉